Showing posts with label Taka Ishii Gallery Roppongi. Show all posts
Showing posts with label Taka Ishii Gallery Roppongi. Show all posts

Thursday, March 31, 2011

Taka Ishii Gallery Roppongi

01
Shomei Tomatsu
The Pencil of the Sun, 1971 / 2010
ink-jet print
100 x 70.94 cm

Shomei Tomatsu

Dates: April 16 – May 21 [Golden Week Holidays: May 1-5]

Location: Taka Ishii Gallery Photography / Film (Roppongi, Tokyo)

 

Taka Ishii Gallery Photography / Film is pleased to announce the exhibition of Shomei Tomatsu’s work from 16 April to 21 May. As this is Tomatsu’s debut exhibition with the gallery, we will be presenting a wide range of work; large scale digitally printed photographs previously exhibited in Shomei Tomatsu - The Chiseling of Time at the Nagasaki Prefectural Museum (2010), as well as a selection of several vintage prints.


Photography is a medium brought together through a process of decision-making. First of all, I select the camera, lens, and the light-sensitive material. I select the subject. I select a portion of an endlessly vast space, and crop it. I determine the date and time, and select the light and wind. I select an angle. Then I select an opportunity. I select a few images from the contact sheets, enlarge them and then select one from that selection, and then we arrive at the exhibited piece. A photographer doesn’t offer treatment like a doctor, doesn’t analyze like an academic, and doesn’t support like a priest. Neither do we invite laughter like a comedian, or intoxicate like a singer. A photographer just keeps looking. The whole process concludes in looking and selecting—that is a photographer.

Shomei Tomatsu ‘The Chiseling of Time: 60 Years of Tomatsu Shomei’
The Nishinippon Shinbun, The Nishinippon Shimbun Co.,Ltd., Jul. 5, 2010


The exhibition is comprised of a selection of works from a wide timeframe, ranging from the late 1950s to more recent years. The year, location and subject may vary; however, the tension unique to Tomatsu’s work and his particular sense of composition results in a consistency visible throughout. Tomatsu’s practice bridges prewar photography and the contemporary, whilst exploring the most extreme possibilities of photographic expression.